Scene artist and researcher
Actress | Performer | Playwright
Anticolonial - Ka'a.
Dramaturgias autorais
GUERRILHA - experimento para tempos sombrios (2016)
Directed by: Raquel Castro
Dramaturgy and acting: Idylla Silmarovi
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Synopsis:
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GUERRILLA - feminine noun. Discontinuous actions of unrest, ambushes. The main strategy is the concealment and extreme mobility of the fighters called guerrillas.
A woman who speaks with the voices of others. Reconstruction without a chronological line of memories still dusty from yesterday. If those in command go to TRÁ: Guerrillas of America: Univos!
Ópera Bruta (2018)
Directed by: Raquel Castro
Dramaturgy: Idylla Silmarovi
Bacurinhas Collective
Synopsis:
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Ópera Bruta, takes a look at what sounds masculine to us. The narratives about Man and from Man, “universal word”, are an object of reflection. What sounds like opera to us through the duets, trios and choirs is made up of what They say. From the music of “masculine” speeches, metals from construction sites and noises Opera, operation, operate. Gross, no. Raw
Glória (2020)
Directed by: Rafael Bacelar
Dramaturgy: Idylla Silmarovi and David Maurity
Toda Deseo Collective
Synopsis:
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Glory became our rite, a cry, a song. Here, or rather there, icons will be dismantled, representations and symbols will be given new meanings. This is not an outrage. We also have faith.
Glory is the feminine noun that marks our expression against a system of control.
A work about freedom
Conselheira (2021)
Directed by: Rafael Bacelar
Dramaturgy: Idylla Silmarovi and David Maurity
Toda Deseo Collective
Synopsis:
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"CONSELHEIRA" is a talk show by actress and mother Ju Abreu, from the Toda Deseo Theater Company. This work brings to the theater the concerns of a woman dealing with her work and the time dedicated to "being a mother".
Aliç n'País d'Jôgo d'Bich (2021)
Directed by: Thalita Motta and Thales Brenner Ventura
Dramaturgy: Idylla Silmarovi
CEFAR Graduation - Clóvis Salgado Foundation
Synopsis:
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We entered a rabbit hole thinking it would be shallow, but we came across an abyss and, without realizing it, we jumped. A leap into the dark, the dark we dance from now on.
GOLD (2022)
Directed by: Tarcísio Ramos Homem
Collective Dramaturgy
Dramaturgical guidance: Idylla Silmarovi
University Theater - UFMG
Synopsis:
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GOLD talks about space-time: what was left to us, what is in our hands and what we have to give as inhabitants of the motherland, powerful, feminine, whose reckless exploration and destruction advances. Preserve, or destroy? Sow, or deforest? “Is there a possible future for the planet and its living beings?”
Cabaré Ladeira à Bausch (2022)
Director: Cristina Streva
Dramaturgy: Idylla Silmarovi and Rafael Bacelar
Divine Creation Platform
Synopsis:
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The show exposes the defragmented, experimental, contemporary, chaotic and post-apocalyptic perspective on a night of Cabaré das Divinas Tetas. A prediction, a revelation, a birth and reality knocking on the door. Fake News everywhere and psychedelia enters the scene. Lilibertas, Madame Tityca de Boá, Willa Snack Queer, La Inominable and Sarabicha imagine the end and dance redemption.
Batalha (2022)
Directed by: Rafael Bacelar
Dramaturgy: Idylla Silmarovi
Solo by Dagmar Bedê
Synopsis:
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Being a woman from this territory in our time. The risk of presence: physical, psychological, spiritual. Machetes, glass and bed of nails. Cabaret actress, clown and fakiress. There are many voices that echo. The act of rebelling, that is, of experiencing mirages of freedom, even if they are fleeting.
If the fight is free, I'm ready to start.
Karaíba: um musical originário (2022)
Directed by: Rafael Bacelar
Conception and production: Juliana Gonçalves
Dramaturgy: Idylla Silmarovi
Synopsis:
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With a team made up mostly of indigenous artists, Karaíba is a theatrical sound odyssey aimed at all audiences, especially children and young people. Based on the work of the same name by Daniel Munduruku, the story mixes indigenous mythology and adventure. It rethinks gaps in Brazilian prehistory and elucidates the encounter with Europeans as part of history, not the beginning of it. An exercise in imagination about what the people and life would be like in these lands before the arrival of the Portuguese, 523 years before so many caravels.
* Show nominated for the CBTJ 2024 award for more than 12 awards, including best adapted text for Idylla Silmarovi
El Grande Circo Firinfinfim (2023)
Colective Creation
Directed by: Rodrigo Negão
Dramaturgy: Idylla Silmarovi
Realization: Cia Circunstância
Synopsis:
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The Firinfinfim Circus received a mission from a great trapeze artist to spread the great news far and wide: the end of the world began a long time ago! It's in every uprooted tree, in every piece of land taken, in every abandoned dream. But since there's no more time for pessimism, the clowns of the Firinfinfim Circus are inspired by the work of Ailton Krenak to travel through time and weave ideas on how to postpone the end of the world.
Pa'rá - rio de memórias (2024/2025)
Directed by: Marina Esteves
Idealization and performance: Lenise Oliveira
Dramaturgy: Idylla Silmarovi and Lenise Oliveira
Synopsis:
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"Pa'ra - river of memories" tells the story of Dalú: an indigenous girl from the Sateré-Mawé people who is taken on a journey into the world of her ancestors to reclaim her people's riches and help her family deal with territorial conflicts in the big city. By encountering enchanted beings and ancestors, the play invites the audience to navigate this river of memories and engage in dialogue about indigenous childhoods both inside and outside the villages.
*We received the APCA award for best monologue in the children's and youth theater category in 2026.
CAÇADA (2025)
Directed by: Rafael Bacelar
Dramaturgy: Idylla Silmarovi
Realization: Ka'adela Platform
Synopsis:
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“What if I put my ears to the ground to hear what this land has to tell me?” She is positioned. She observes and acts attentively to any noise and trace left behind. The act of hunting demands that the senses be sharpened, dexterity, and an attentive body, in the present, in performance. The thing kind of ends. A woman with a machete. Monument toppled. The circle. That name we don't yet have. Out of righteous rebellion, we will make our way through the gaps.